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Guido di Graziano, Saint Peter Enthroned, about 1280, Siena, Pinacoteca Nazionale |
| Guido da Siena (Guido di Graziano) |
| Guido of Siena, also known as Guido di Graziano, was an Italian Byzantine style painter of the 13th century. He may have made significant advances in the techniques of painting, much as Cimabue much later accomplished. However, there is some debate about this.
Guido is primarily known for a painting which is now split into several pieces. The church of S. Domenico in Siena contains a large painting of the Virgin and Child Enthroned with six angels above. The Benedictine convent of the same city has a triangular pinnacle representing the Saviour in benediction, with two angels. This was once a portion of the same composition, which was originally a triptych. The principal section of this picture has a rhymed Latin inscription, giving the painter's name as Guido de Senis, with the date 1221. However, this may not be genuine, and the date may really read as 1281. There is nothing particular to distinguish this painting from other work of the same period except that the heads of the Virgin and Child are much superior – in natural character and graceful dignity – to anything painted before Cimabue. As a result, there is some dispute as to whether these heads are really the work of a man who painted in 1221, long before Cimabue. Crowe and Cavalcaselle have proposed that the heads were repainted in the 14th century, perhaps by Ugolino da Siena. If Crowe and Cavalcaselle are right, Cimabue maintains his claim to the advancement of the art. Beyond this, little is known of Guido da Siena. A picture in the Academy of Siena is attributed to him (a half-figure of the Virgin and Child, with two angels), which dates (probably) between 1250 and 1300. Also in the church of S. Bernardino in the same city is a Madonna dated 1262. Milanesi has proposed that this is by Guido Graziani, although there is no record of Graziani earlier than 1278, when he is mentioned as the painter of a banner. Guido da Siena appears always to have painted on panel, not in fresco on the wall. It is possible that he was a pupil of Pietrolino, and the master of Diotisalvi, Mino da Turrita and Berlinghieri da Lucca. He collaborated with Dietisalvi di Speme. |
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Guido di Graziano, Saint Francis (detail), after 1270, Siena, Pinacoteca Nazionale |
This painting belonged to a polyptych depicting twelve scenes from the life of Christ. The polyptych was dismembered at the beginning of the nineteenth century and the panels are now dispersed to various collections. The scenes are the following: 1. Annunciation (University Art Museum, Princeton) It is assumed that the Coronation of the Virgin in the Courtauld Galleries, London, formed also part of this polyptych |
 Guido da Siena, Betrayal of Christ, about 1275-1280, Pinacoteca Nazionale di Siena |
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Guido da Siena, Adoration of the Magi, about 1275-1280, Altenburg, Lindenau-Museum |
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 Guido da Siena, Flagellation, about 1275-1280, Altenburg, Lindenau-Museum |
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Madonna and Child Enthroned Guido di Graziano about 1285-1295 Gold and tempera on panel, 168 x 81 cm Siena, Montaione, Church of San Regolo |
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 Guido di Graziano, Saint Francis, after 1270, Siena, Pinacoteca Nazionale |
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Adam and Eve with the Tree of Life Guido di Graziano about 1300 Gold and tempera on parchment, 20.5 x 14.5 cm Siena, Biblioteca Comunale degli Intronati |
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| Art in Tuscany | Sienese Biccherna Covers | Biccherne Senesi |
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed (1911). Encyclopædia Britannica (Eleventh ed.). Cambridge University Press. |