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Villa Cetinale History
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Cetinale was originally a farmhouse, built on ruins from an Etrurian settlement (XI/VIII century B.C.). Only at the end of the 19th century was it rediscovered by foreign visitors exploring the remote area of the Tuscan countryside. By then it had become one of the most appreciated Italian gardens.
The first works of transformation of a small villa are recorded in 1651 when Flavio Chigi’s uncle, Cardinal Fabio Chigi owned Cetinale. The house, a modest building surrounded by farm dwellings, was enlarged on the southern side with two wings that flanked two storeys of open loggias. The garden was enclosed by an escarped wall, along which small towers gave it the appearance of a miniature fortress.
Benedetto Giovannelli, a local architect, designed these first works completed between 1651 and 1656. After Fabio Chigi became Pope Alexander VII in 1655, the works came to a halt until 1676, when Cetinale was inherited by his nephew Flavio. Flavio wanted to transform the villa in Roman baroque fashion and hired the architect Carlo Fontana, pupil of Gian Lorenzo Bernini. Fontana designed the monumental stair and the marble portal surmounted by a great Chigi coat-of-arms on the northern façade. He projected the chapel, next to which is the “limonaia” (lemon house) and the long grass avenue that climbs the hill for 30 metres, sided by two large, red brick pillars and with carvings for two statues.
In front of the house stand Spring and Summer, two statues by Giuseppe Mazzuoli. Behind the north front, beyond two pillars, the avenue narrows and runs for 220 metres, until it reaches the statues of Napoleon and French marshalls, erected in 1811 when, apparently, the French emperor arrived at Cetinale. The theatre lies behind the statues and can be reached from the North, from the ancient road to Siena. Originally, it was surrounded by busts which were later moved to the garden around the villa.
A small gate leads to the start of Scala Santa, about 300 steps, ending in a stone platform. Here stands the “Romitorio”, a five storey hermitage inhabited by monks until the end of XIX century, now fully restored. The straight line that runs from the Romitorio down the avenue and past the house finishes on the southeastern side of the villa, with an enormous statue of Hercules, also by Mazzuoli.
To the North lies the Tebaide, (holy place). Paths, avenues, statues of saints and hermits, and one of the seven votive Chapels surrounding Cetinale are to be found in the Tebaide — the Holy Wood. The chapels are decorated with frescos representing The Seven Sorrows of the Virgin. Most frescos have deteriorated but a few are still visible such as Escape to Egypt, on the outside wall towards Siena.
The Palio of Siena, the most famous horserace in Italy was raced seven times between 1679 and 1692 in the Tebaide. There is no record of palios at Cetinale after Flavio’s death.
Close to the gate of Saint Anthony carved in stone, by Mazzuoli, are what some believe to be the symbols of the contradas of Siena: a winged dragon, turtles, a snail, a viper, a lion and the head of a porpoise. The alternative belief is that the carvings are of monstrous animals, personifications of the Devil in a medieval wood that is traditionally a place of unsafeness.
Lord Lambton bought Cetinale from the Chigi family in 1978 and has dedicatedly worked on restoring the house and estate. He created a new formal garden based on Roman designs and new planting and restorative works are continuous.
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Villa Cetinale, clocktower
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| Cetinale, one of 70 gardens profiled by early 1900s author Edith Wharton was revisited by Vivian Russell for her book titled Edith Wharton’s Italian Gardens published in 1997. Some of the gardens had been bombed in two wars, while others were spoiled by tourism or neglect. Cetinale, featured on the cover of Russell’s book had been restored by Lord Lambton over the past 40 years.
Garden visits are Monday to Friday 9.30 – 12.30 by appointment only.
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Villa Cetinale Directions
From North: take the motorway in the direction of Florence and exit “Firenze Certosa” then turn right in the
direction of Siena. Exit Siena San Marco (or Siena Ovest).
From the South: take A1 in the direction of Florence and exit “Valdichiana” then follow direction for Siena. As you
are approaching Siena take the ring road “Tangenziale” and exit “Siena San Marco”.
From Siena San Marco take the SS. 73 in the direction of Sovicille. When you get to a group of houses called
Volte Basse turn right in the direction of Cetinale. When you reach the town of Sovicille turn left and then
immediately right and follow the signs for Cetinale in the direction of Ancaiano. Just before you reach the town of
Ancaiano look for the sign on the right for Cetinale which is 300 metres up the road. |
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Gardens in Tuscany | Italian villas and their gardens

Tuscany is one of the most popular tourist destinations in the world. Known for its enchanting landscapes, its fantastic and genuine food and beautiful towns as Florence, Pisa, Lucca and Siena.
Podere Santa Pia is situated in a distinctive location where green wooded hillsides give way to entirely different surroundings known as the Maremma. The countryside is both lunar and sublime. The hillsides are decorated with sunflowers, wheat fields and fragrant pastures as well as numerous impressive vineyards. This privileged location offers a spectacular vista over the charming medieval town of Cinigiano and the entire Ombrone Valley. It is the perfect place for your relaxing holiday with your friends and family. The property consists of 4 large bedrooms furnished in a classic Tuscan style and 2 bathroom with shower, a big full-equipment kitchen with a fireplace and a big living room and dining room. With its original kitchen and the wood burning pizza oven, Podere Santa Pia offers an upbeat atmosphere. The farmhouse has been renovated and provided with all modern comforts (satellite TV, Wi-Fi Internet access, washing machine, dishwasher, and so on), with an eye to preserve the typical and charming elements of these rural lodgings. There you have, then, cosy and warm rooms with traditional terracotta-tiled floors, stone walls and wood-beamed ceilings. And the kitchen, furnished for pleasant meals with traditional Tuscan dishes (bread soup or "ribollita", tomato soup, "fettunta", Florentine-style steak, stewed wild boar, cinta senese cured meat, and other Tuscan specialities).
The impressive garden (9000 square mt.) allows you to enjoy a relaxing holiday and is perfect for taking time out and lounging about while sipping on a glass of local wines, Montecucco DOC and Brunello DOC.
Sitting in the garden, one can enjoy our dawns and dusks, with their jubilee of colours ranging from dark yellow to pink, orange and red. In this scenario, it is often possible to observe the flight of pheasants, falcons and buzzards, great tits, chaffinches and sparrows.
This is an enchanting place far from noise, ideal to regenerate body and mind, where one has the opportunity enjoy pleasant walks or rides on mountain bike. The summer breeze that caresses Podere Santa Pia guarantees "cool" holidays even in the hottest weather.
Tuscan farmhouses | Podere Santa Pia
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Villa I Tatti |
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Sovicille, Pieve di San Giovanni Battistaa Ponte allo Spino
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Villa Saracini |
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Pieve of SS. Ippolito and Cassiano |
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San Gimignano,
view from Rocca di Montestaffoli
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Colle di Val d'Elsa |
The Villa Chigi Saracini was designed in the early 19 C by its owner, Galgano Saracini, and stands at the entrance to the Castelnuovo Berardenga. Its construction led to a radical alteration of the urban layout of Castelnuovo Berardenga, with the demolition of the enceinte around the castle and its replacement by a retaining wall. The building is rectangular in plan and spreads over three floors, the lower portion being rusticated and the upper floors finished in plaster. The main elevations have two rounded-arch doorways, flanked by double pilaster strips terminating in corbels that support the balconies above. There is a crest on the front and the rear of the building: the one on the side facing north is that of the Chigi Della Rovere, the one on the south side is that of the Saracini Marescotti.
Visitors travelling from Florence to Volterra, or to Monteriggioni and Sienna, via Poggibonsi often overlook Colle di Val d'Elsa because they pass only the modern part of the town. In fact, Colle di Val d'Elsa has a small but attractive old town with two important provincial museums, the Museum of Civic and Religious Art and the Archaeological Museum, as well as quite a good Museum of Lead-Crystal Glass.
The city celebrates itself as the city of Arnolfo and the surrounding territory as Terre di Arnolfo - Arnolfo di Cambio is a celebrated 13th centurt sculptor and architect.
Colle di Van d'Elsa is centuries old but also has a solid 20th century workers’ tradition. Industrial activity is expressed in a highly selective and civilised way, in continuity with the craft tradition: the paper mills and glassworks, founded in the middle ages, are proof of this.
Colle Val d’Elsa is divided in two. The lower part is 20th century while the upper, mediaeval part speaks of traditions connected with the land. Its many towers, largely cut down and transformed into aristocratic residences during the Renaissance, speak of this courtly spirit which even today seems to keep a desired distance from the confused movements of our time.
Casole d'Elsa is a little idyllic hilltop town with the most beautiful country side surrounding it. The area counts 3.000 inhabitants called Casolesi. Casole d'Elsa is an extensive Commune and is placed close to the source of the river Elsa. For this reason the area was highly populated back in Etruscan times, and several remnants can be found in the area.
Casole has always been under the influence of the big cities, first by Volterra that back in the middle ages became a bishop ship, then followed a short time of independence where Casole had its own town administration (the town hall building testifies to this). Finally, after 1260 the town fell in the hands of Siena.
Today the town appears particularly well kept and, in fact, the town administration often organizes cultural events such as art shows.
The town lives off of tourism which has increased a lot in the last few years and off of agriculture. Lately the area has been given its own DOC for winemaking.
Abbazia di Conéo, Badia a Coneo near Campiglia, is a Romanesque structure that was founded by the Vallombrosan monks at the start of the 12 C and is one of the most interesting examples of religious architecture near Colle Val d'Elsa. Its plan is in the shape of the Latin cross, as is typical of Vallombrosan churches, and the intersection of the nave and the transept is surmounted by a sectioned dome, which is octagonal inside. The internal capitals and the cornice which runs round the outside of the building are decorated with starred flowers and other geometrical devices, of great artistic beauty. The building possesses a number of pre-Romanesque features, with numerous external brackets in the shape of imaginary animals.
Here one can join the historic Via Francigena.
San Gimignano is a small walled medieval hill town and is mainly famous for its medieval architecture, especially its towers.
While in other cities, such as Bologna or Florence, most or all of their towers have been brought down due to wars, catastrophes, or urban renewal, San Gimignano has managed to conserve fourteen towers of varying height which have become its international symbol.
The heart of the town contains the four squares, Piazza della Cisterna, Piazza Duomo where the Collegiata church is located, Piazza Pecori, and Piazza delle Erbe. The main streets are Via San Matteo and Via San Giovanni, which cross the city from north to south.
There are many churches in the town: the two main ones are the Collegiata, formerly a cathedral, and Sant'Agostino, housing a wide representation of artworks from some of the main Italian renaissance artists.
The Communal Palace, once seat of the podestà, is currently home of the Town Gallery, with works by Pinturicchio, Benozzo Gozzoli, Filippino Lippi, Domenico di Michelino, Pier Francesco Fiorentino, and others.
The little Romanesque Pieve di Sant'Appiano has XV and XVI-century frescoes. On the lawn in front of it are four pillars, testimonials of the ancient baptistery built there by early Christians and torn down in 1805. Adjacent to the entrance to the rectory is the little archaeological museum that preserves some finds from the area.
The Antiquarium of Sant’Appiano is a small archaeological museum located in rooms adjoining the Pieve di Sant’Appiano just a few km from Barberino Val d’Elsa. It houses some of the material found during archaeological digs in the surrounding area following the first accidental discoveries at the beginning of the 20 C. |
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